夜之阴影

This film was one of the few attempts of the "New German cinema" to produce something like a horror film. Not quite a successful attempt in my opinion since director Niklaus Schilling seems to be rather afraid of anything to do with "genre" and therefore keeps out most the atmosphere that could be achieved by exploiting Germanic mysticism as he does here. The film has an unpleasantly pretentious aura and could've made much more of its theme and locations. It really requires some endurance, especially during many of the redundantly chatty scenes - I actually am into slow-paced art films but I felt that the dozy pace here had no particular purpose, other than giving an impression of auteurism. However, there are some memorable, eerie moments, a handful of pittoresque shots (watch out, they're the ones I selected) and Schilling's wife Elke Haltaufderheide (who also starred in Rudolf Thome's cult film DETEKTIVE) delivers a memorable performance as the haunted woman around whom the film evolves.Plot-wise, the film introduces a dull music publisher who travels to a remote village in the Luneburg Heath (the German version of Dartmoor) where he intends to purchase the house of a recently deceased man. He is accomodated at the house by the wife of the deceased, a rather mysterious lady with an air of tragedy around her. At night, he is plagued by uncanny nightmares in which the woman puts flowers onto his grave, rather than her husband's...

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华人金牌女律师陈智琪在女儿被绑架后，接到神秘电话要求她在五天之内为一位死刑犯做无罪辩护，否则撕票！这部电视剧讲述了她如何应对这场生死之战。

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少年时开始看《红猪》，中年时仍看，最初的不解，随着时间，有了答案。相比容颜和心灵都纯真美好的童年与青少年时期而言，青春枯萎的中年人确实更像一只猪——无论外表还是心灵。被现实痛击，被时间改变，红尘满身，身心越发卑微、猥琐而沉重。所以，亲眼目睹最好的朋友、最爱女孩的丈夫，以及那些曾经鲜活的生命在战争中死去后，曾经也有着一张青春洋溢的脸的波鲁克，变成了一头沉默的猪，一位中年的叔。他独行世界，随心翱翔，享受着天空海阔的快乐，卻也被地上共同走过青葱岁月，有着许多回忆与默契的吉

夜之阴影 1080P

如果要在年选一部我全程都在集中精神观看，不愿浪费一秒钟的电影，那绝对是今天上映《金手指》。庄文强+梁朝伟+刘德华的黄金阵容，严谨的叙事以及角色塑造，让整部作品张弛有度，戏点十足。元投入换来数百亿资产的传奇人生，这场梦谁不愿意做呢？在摆烂成习惯的年，华语影坛能以《金手指》这样高质量的作品收尾算是影迷的一份幸运。全港班底阵容，香港真实案件溯源，最少的外部干涉与掣肘，让作品呈现出一种久违的圆满和酣畅。作品故事归结起来，是这样的：只身闯荡香港，恰逢风云突变。有幸结

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电影本身特别好，然而在看完了一众影评后，我很失望，更加深刻意识到了国内“女权”发展的畸形，以及未来想要实现平权的道阻且长。很多人将自己带入到了女主的“部分”视角，渴望成为一个在传统家庭中不被家务琐事缠身，“独立自主”的，任何时候都能保持理性的“强者”的形象。她们抨击影片中男人表现出的怯懦与软弱，在女主被宣判无罪而全身而退后，达到了一种“自以为是”的“觉醒”的高潮，殊不知，这才是掉入了父权社会所建构的，以男性为主体的传统家庭结构陷阱。因为在这里，互换的只有性别，其余的一切